(ARISE magazine, issue 12) She’s been admired, vilified, imprisoned and tortured, now Winnie Madikizela-Mandela is to be immortalised – on screen and on stage anyway – with both a film and an opera about her set for 2011. Winnie The Opera, a sequel to 2007’s The Passion of Winnie, previews at Pretoria’s State Theatre on April 28.
It explores the dark period in her life when she appeared in front of the Truth and Reconciliation Commission, accused of involvement in murders and beatings carried out by her then-bodyguards. In contrast, upcoming biopic Winnie promises to be “the ultimate women’s movie” (according to its South African director, Darrell Roodt), focusing on the love story between Winnie and Nelson.
Despite initially facing legal threats from Madikizela-Mandela’s lawyers, Roodt is now confident she will “love” the film – although he stressed it won’t shy from controversies. Although critics are concerned this is exactly what will happen. The filmmakers have also received fierce criticism from the Creative Workers Union of South Africa for casting African-American stars Jennifer Hudson and Terrence Howard in the leads, instead of choosing local talent.
Whether or not you agree with Roodt’s assertion, reported in UK newspaper The Telegraph, that Madikizela-Mandela’s contribution to the anti-Apartheid movement was “as extraordinary, if not more” than Nelson Mandela’s, there’s no denying this is going to be Winnie’s year.