(ARISE magazine, issue 15) People with animal faces, towering security fences, mouthless mutants – the imagery used in South African artist Jane Alexander’s work is not always comfortable viewing. But it’s not her intention to unsettle says Alexander, as she prepares for a new exhibition at SCAD Museum of Art in Georgia, US: “I have responded to the social environment as I interpret it from observation and conventional research… and the images evolve from this. It would seem to me that life is often unsettling, and that South Africa has always been so.”
The exhibition, entitled Surveys (From The Cape Of Good Hope), features work dating from 1998 to as recent as last year – including the tableau African Adventure, developed during South Africa’s shift from apartheid to democracy. “I see the works as fitting into a broad project of African adventures,” explains Alexander, “referring to the continent as a site of discovery, mystery and pleasure; colonial adventure and intervention; economically driven social control and enterprise; and pervasive exploitation, discrimination and damage”.
Born in Johannesburg in 1959, Alexander grew up under the shadow of apartheid. South Africa was, she remembers, “very isolated, constrained, controlled, conservative and divided in almost every way.” And although the instruments of apartheid have long been dismantled, Alexander still finds injustices. “There is exceptional work being produced in South Africa but the art scene is still largely dominated by a privileged minority in terms of access…While this may be true of other countries, it still impacts primarily on those who were and still are discriminated against because of apartheid.”
Surveys (From The Cape Of Good Hope) is at the SCAD Museum of Art from February 21 to June 3. http://www.scadmoa.org